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Unique Notes: 11 - 15
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edward.maurath
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
1:31 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
Harpsichord Treble 10 0 1 3 100%
Bass 14 0 2 3 100%
Oboe Treble 13 0 3 7 100%
Treble 12 0 3 5 100%
Contrabasses Bass 14 0 2 3 100%
Viola 10 0 1 3 100%
Violoncello Bass 14 0 2 3 100%
Vn
1		 Treble 13 0 3 7 100%
Vn
2		 Treble 12 0 3 5 100%
Bass Bass 12 0 2 3 93%
Soprano 12 0 3 6 93%
Tenor 11 0 2 3 93%
Alto 12 0 3 4 87%